[LISTEN] Nicki Minaj Fires Back with “Big Foot” Diss Track Aimed at Megan Thee Stallion

The
feud
between
Nicki
Minaj
and
Megan
Thee
Stallion
reached
new
heights
this
weekend
as
Minaj
dropped
a
fiery
diss
track
titled
“Big
Foot”
in
response
to
Megan’s
recent
song
“HISS.”
The
back-and-forth
between
the
two
rap
titans
has
stirred
up
controversy,
with
Minaj
addressing
perceived
slights
and
taking
aim
at
Megan’s
personal
life
in
her
latest
release.

After
Megan
Thee
Stallion
seemingly
referenced
Nicki
Minaj’s
husband,
Kenneth
Petty,
a
convicted
sex
offender,
in
her
track
“HISS,”
Minaj
wasted
no
time
in
hitting
back
with
“Big
Foot.”
Clocking
in
at
nearly
four-and-a-half
minutes,
the
track
features
Minaj
mocking
Megan’s
height
and
making
references
to
the
2020
incident
involving
Tory
Lanez
shooting
Megan
in
the
foot.
Minaj
also
addresses
Megan’s
late
mother
and
her
ex-boyfriend,
Pardison
Fontaine,
who
Megan
accused
of
infidelity
in
her
song
“Cobra.”

The
rivalry
between
Minaj
and
Megan
has
been
brewing
for
some
time,
but
it
intensified
over
the
weekend
following
the
release
of
“HISS.”
Megan’s
line,
“These
hoes
don’t
be
mad
at
Megan
/
These
hoes
mad
at
Megan’s
Law,”
sparked
outrage
from
Minaj,
who
took
offense
to
the
reference
to
Megan’s
Law,
a
federal
law
aimed
at
regulating
sex
offenders.
The
law
is
named
after
Megan
Kanka,
a
seven-year-old
who
was
raped
and
murdered
by
her
neighbor,
a
registered
sex
offender.

The
escalating
feud
between
Minaj
and
Megan
has
divided
fans,
with
many
taking
sides
and
expressing
their
opinions
on
social
media.
Some
have
praised
Minaj
for
her
lyrical
prowess
and
assertiveness
in
defending
her
husband,
while
others
have
criticized
her
for
crossing
boundaries
and
bringing
personal
matters
into
the
public
domain.

As
the
feud
between
Nicki
Minaj
and
Megan
Thee
Stallion
continues
to
unfold,
it
raises
questions
about
the
boundaries
of
rap
beef
and
the
impact
of
personal
attacks
on
the
music
industry.
While
diss
tracks
are
a
common
occurrence
in
hip
hop,
the
intensity
of
this
feud
has
sparked
debate
about
where
to
draw
the
line
between
artistic
expression
and
personal
vendettas.

Listen
to
“Big
Foot”
below.